What to test for DNA?
So, I don’t know how accurate this website is, because it is a giant ad for DNA testing materials. However, it’s fun, so I’m posting it anyway.
This is a chart of all the possible ways to get DNA from someone who doesn’t want to cooperate. I’ll give you a hint. Hero walks into the bad guys office and gets a chance to snag cigarette butts or an envelope he just licked, smoking works for the hero’s advantage here. :D
On that same note, the heroine doesn’t need to try to get semen from the bad guy if the bad guy happens to have a cold.
I think I’ll always be learning how to write.
So, I’ve been working on the mermaid novel. There’s two things that make this a learning experiance for me.
1) My first novel I planned for a year before I wrote it. This one, I started planning for it about a year ago.
2) Multiple POVs.
I didn’t expect multiple POVs to make a difference. Boy, am I wrong!
The biggest one that it makes a difference in is AVi, because Avi doesn’t have a consistent appearance. I have about 45 chapters and of those, she only gets about seven. I need then to still be consistent but even when editing, I see her so inconstantly that I don’t get a good feel for her character.
Last night, I figured out the obvious solution. I edit them in order of character’s POV. As such, because I like Avi right now, I edit all of the Avi scenes. Then I move onto another character and another until I’m done.
I got this idea because while I was editing a scene involving Ronen intentionally ignoring her, I realized that when Ronen decides he’s going to actually show he likes her, he’s going to kiss her. This makes me really excited. Now, normally, I couldn’t do anything about that until I go from chapter 8 to chapter 25. Instead of having to wait that long, I now get to jump ahead and edit chapter 24 and 25 where that happens. Then I get to jump ahead to when Avi discovers that her real boyfriend betrayed her.
For once, the story doesn’t seem so completely overwhelming. And though I know that I used future scenes to motivate me to write current scenes, I have a new plan for the boring scenes. I ask myself a few questions.
This scene is boring.
1) Is this scene needed? Why? If no, delete and move on. If yes, go to question 2.
2) Would it be better to rewrite the scene how that I know the point or try to salvage what I wrote?
Typically, I find that if I’m finding a scene to be boring to edit, it’s either so badly written that I should just restart or, more likely, it isn’t even needed or can be combined with another scene. (I did that with Shad and the resulting scene was sweet!)
It’s funny, because even though I can skim the books in Barnes and Noble and say I know most of it, I can still discover things that I still need to learn. It’s partly what makes writing fun. Maybe that’s actually why I like it so much.
Why science-fiction should more be science-fantasy more often.
I’m going to get killed for that one, aren’t I? But see, here’s my logic. Space is monstrous! Huge! The logic that we could ever actually travel through the whole thing is ridiculous and insane.
Let me illistrate.
Here is a picture of how far away the moon and Earth are to each other. That’s far away, when you think that is Earth in the picture.
Then, here is another illustration of how small our Sun, and yes, I mean our SUN, is compared to many other things in the galaxy. I’m assuming it’s accurate. It seems fair.
And through all that, we writers actually pretend to say that people can travel across this space.
Yeah right.
But then again, as writers, we are allowed a few liberties and one of those is the idea of warp/jump/faster-than-light engines. But I still say that I write probably more science fantasy than science fiction.
Second books: the writer’s perspective
I’ve always thought second books are weak. They never carry the momentum of the book as well as the first or third book in a trilogy. As such, I found this article about writing a sequel very interesting. My favorite line is:
Although I didn’t technically write an entirely new book like Bacigalupi did, I was still making major plot changes in my eighth draft, and my final novel bears very little resemblance to my original story. In fact, my earliest draft was such a mess that it frightened my editor, Nancy Mercado. Wisely, she didn’t tell me so at the time. She merely said in her kind way, “You might want to take a closer look at the first one hundred pages. And the last one hundred pages.”
How I wrote my synopsis
This is just totally awesome and I must share it now. Disney Princesses in real life. I know; it’s making it’s way around the internet, but I still love it!
Anyway, the real thing that matters is the synopsis. That’s why you’re reading this, right?
I know that I said I would send out my manuscript by New Years. That isn’t happening. Why? Mainly because I need to use the school printers since my printer is really sloppy. My dad was there and the school ran out of paper, so I never had a chance to print it before I left. That being said, I will have everything ready to go by next year and I will submit something somewhere. (Okay, I’ll submit Just Trust Me to Tor.com.) Won’t get a rejection letter but it’s a start.
Another big reason why I didn’t submit my manuscript this year is I decided to rewrite my synopsis, and it turned out much better. My novel is 88,000 words; my original synopsis was 9 pages. The publisher wants 3-10. Then I saw this tip about how the best synopses have two sentences per chapter. (It was written by a publisher for the publishing house I am submitting too. BONUS!) I worked out the math and this is what I came up with each chapter is roughly ten pages.
Keep in mind that I write in Times New Roman at single spacing. When I refer to pages, I am in font size 12. (Though I normally write in 13. Not like you care.) So you want it close to that with these numbers if you decide to copy me.
So, how did I write my synopsis?
–I went through my manuscript and, every ten pages, I wrote two sentences about what happened.
–Since I already had a nine page synopsis written, I marked all of what I considered “important” sentences. The ones that I liked the sound of the best. Next time I’ll just write the sentences right in my outline.
–I combined all the sentences into one document and edited. At this point, so long as I did not add more than a few words, I allowed longer sentences to break into shorter sentences. The idea was to keep the word count close to the same, not necessarily the sentence count.
–I allowed myself one well-integrated paragraph that gave background information, since I’m writing in a different world than we live.
That’s it. If you want, I can post what I’ll be sending out as an example. Keep in mind (this is my disclaimer) that I have not ever been accepted / been published, and I don’t know if it is going to work. But this is what I did, so it might give you an idea of where to start. I realize that there isn’t a lot out there about writing synopses, especially in writing books.
Oh, and if you care, my final page count was about 3 pages, so I’m happy.
Under the sea!
One of my many stories right now is about mermaids. I began wondering then about how far down a storm can be felt, which caused me to stumble upon an FAQ about submarines. Now, normally, I don’t like about.com but this page was actually rather useful. Not only did it give me my answer (Hurricanes can distort water about 400 feet below) but it answers about 49 other questions about submarines. It also gave me a few thoughts about space ships. Might be worth a glance at.
Drowning
One of things I eventually want to write/co-write/get is a medical book for writers. (Which I don’t think there is.) The idea is that it would provide a reference on common problems that characters might encounter, such as shootings, electrocutions, ect, and the procedure from it immediately happening to what someone can expect for a hospital stay (or if they discharge themselves earlier like Jack Bauer likes to do.)
In the meantime, I have to find what I need through my nursing background and online. I’m tempted to buy an old edition nursing textbook, because that also has a lot of information (Without the cost).
I did, however, write a scene recently that involved a child suspected of drowning and what they would do for him. (I mainly wanted to know if he would have an EKG on him.) In doing that, I found this website.
A wonderful source of information about drowning while writing a drowning scene
Yes, I hope that google will pick that up.

