five parts of any character
I think characters are one of the key parts of any story. One of the largest problems I think that new writers face is having good, solid, 3D characters. As such, here are some recommendations that might help anyone move in that direction.
Keep in mind however that this isn’t just for the hero of the story. This list applies just as much to the villain as the hero, if not more so, because villains are harder to understand. It’s easy to understand why someone would want to save the world from being taken over but a lot harder to convince the reader why the world is being taken over in the first place.
1. Appearance. This is more of a technicality than a mandate, but having a good clue about what your character looks like will save you a lot of headache in the end, when you start editing and find that on page one, she has brown eyes, page five blue/green eyes, page seven brown eyes again and then on page fifteen she has the gray, stormy eyes that melt the heart of her boyfriend or whatever.
2. Interests. In general, what does he/she like? This can play into what they do what they do but sometimes it might just be an aspect of what they miss now that his/her life has been ruined by the author. Everyone likes doing something, even if it is just checking facebook and playing farmville.
3. love. I know, you’re not writing a love story. and since I myself have sworn off love stories this seems an ironic one to include. However, I’m not just talking about boyfriend/girlfriend kind of love. I’m talking about maybe the relationship that the said character has with his/her parents. Or maybe it’s a sibling. This can be a powerful motivator both to do things and to not do things. But having a brother that you haven’t heard about until page 90 being kidnapped and the hero decides, “Oh, you know, I think I’ll turn myself into the bad guy just because he’s such a great brother,” seems a lot weaker than a brother exchange when the kidnapped brother has been a support, someone who’s been sending him money, and someone who hid him from the police on page 30. Know who your character cares about and, if needed, why (or why not.).
4. Motivation. Take note: this is a big one for the villain. However, almost everyone has motivation to do something. Thing about yourself. Why do you go to work in the morning? Having a character that gets swept along willy-nilly seems weak and like they are pathetic. Now, maybe that is an attribute you want in a character because you’ll eventually work it out of him/her, but be on guard for it. Know why your character does what they do.
5. Weakness. What can’t they do? Not everyone, or very few people at least, are perfect in everything they do. And what I am discovering very quickly is that everything takes lots and lots of practice. It’s very easy to create perfect characters that don’t ever have a problem but everyone has a problem. Everyone either gets annoyed, frustrated, angry or weak-kneed. Try to have a clue about what that is before writing, so you don’t have to edit it back in later.