Yes. I did just use a smilie face in my title. Because I’m happy with myself.
Here’s some background: Sagi, a character in my mermaid novel, has some serious relationship issues involving some serious wife betrayal. He’s been angry at her and kept that anger for much of the past twenty-some years since her death. He’s done is best to avoid any relationship in that time, focusing instead on getting himself into a position that will permit him to be elected when the time comes.
Here was my problem: Within the matter of about a month and a half I think, he meets Chava, begins to have a serious relationship with her, and proposes. For someone who wanted nothing to do with marriage or a family or relationships at all, that seemed really fast. (Okay, maybe I really shouldn’t be writing about any complicated relationships since I haven’t ever HAD one period, but oh well. They demanded it and who I am but the writer to argue with my characters? )
No matter how I looked at it, that seemed FAST for Sagi to move.
Then I came up with a brilliant solution. What if the mermaids don’t really date? They meet someone, go out a couple times to see how things are. Probably at this point in time, there are some good personality tests they take to see if they would be compatible (that’d be basically what people would call “the next step”) and if so far there hasn’t been any major problems, they are engaged.
I don’t know if an engagement would be long, like the idea that we are still learning, or short, since most non-religions people seem to be under the opinion that you should live together for a while to fully get to know the person before marriage.
I also would need to create into this society the fact that divorce is frowned upon. (Society drives a lot of what people do after all.) Possibly even highly taxed.
However, if I have it set up so that Sagi’s relationship with Chava before she even mentions that maybe they should take a test has been going on for a long time, then that would explain more with Sagi. (It also would explain why he married his first wife even better.)
Overall, I am very pleased with this plan. Obviously, it needs some ironing out, but not only does it solve some minor plot issues I’ve been having, but it creates the mermaid world as a world separate from the human world, which I like.
Now I just have to write today. Haven’t for two days now. :(
EDIT: This also fixes my problem of why it is culturally acceptable to have a wedding within a week, though the forcing part is still a bit vague. I must work on that. (It’s a political marriage, if that makes any difference.) Oh, and I did write today.
Have any of you ever changed a part of your society to make your plot work better? Did it work for you?
Keep in mind with this post, I’m still learning. I think I’ll always be learning. That’s part of being a writer.
SAying that, here’s how I actually go from an idea to a good novel. (I think.)
1. Come up with an idea. The idea comes from anywhere. Someone sitting with their hands covered in blood at night. My teacher saying “Save the Males.” An imagine conversation that I have while sweeping the floor.
Often, these ideas will eventually connect themselves. In September I made a space ship out of a piece of wood and some string. I had a rough idea about some guy who wants to run the mail route. Then a couple months later I had a conversation in my head that eventually developed the idea of Shad as a sweeper. The ideas I enjoy most are the spontaneous ones.
Sometimes, I need to force it a bit. Such as, why does Sagi hate the Yoni so? That took me a couple days of actual forcing to get, but it worked out.
2. Clarify the idea / write an outline. This section will include anything from writing an outline to learning about the characters. I have papers and papers where I’ll write comments about the characters, the motivations. If I need it, I’ll even write the timeline. This is all the pre-planning phase and this is where, if a story isn’t work out, I should drop it.
This is also my weakest area. I do not do enough planning because I rely too much on the characters eventual talking to me. Because of that, I end up having an extra step that I don’t always need.
3. Pre-draft writing: THis is the part of the writing where I actually begin the write the book. For some stories, I plan them well enough I don’t need to do this. However, this is my chance to take all my ideas and just spit them on the page. I need to do that. Otherwise, I’ll just keep staring at the outline and thinking, ‘This looks good. I’m ready to write.” when in reality I have no clue what their houses even look like. (Very important for science fiction stories, don’t you think?)
While writing this, I’ll put anything on the paper. I even changed my mermaids from fins into feet in the middle of it. Because I knew I would be going back, explaining, expanding and fixing.
Note: I’m sure some writers out there will call that actually my first draft. However, because it’s so bad and so vague, I call it the pre-draft. This is where I’ll drop a story if I need to.
4. 1st draft editing: Now, I go through my pre-draft and fill in everything. The things I learn about the characters are added. I add details of dress and mannerisms. Words become uniform throughout the book. By the time I’m done with this part, I have a first draft and a pretty good idea about where the story is and where it goes.
This is where I am at with my mermaid novel, if you care.
5. 2nd draft editing: Now I’m ready to actually improve the text. I’ll change things from, “Avi felt angry at Eyal for his betrayal.” To something more along the lines of, “Avi wanted nothing more to do with Eyal after his betrayal.” I remove passive words if I see them and overall just make it an easier read.
6. Paper edit: Now I actually need to invest money. I print out the novel on paper and begin the long, long process of editing it, then inputting the corrections. This not only lets me see my errors better, but I, for whatever reason, can play around with the words more. It gives me more freedom. Don’t ask me why a computer doesn’t do that; I don’t know. This is a really, really important step. By this time, I’ll probably show it to a few special people.
Right about now is also when I should start working on a synopsis.
7. Second computer edit: Now, I go through the story again, this time highly critically, and fix all of the errors I see. Anything! I remove as many passive verbs as I can. I keep the story tight and interesting. From that, I see what else I need to do and go from there.
By now, I pretty much get bored with my novel for one, and for two, I don’t see much of anything else that needs to be fixed.
Obviously, all writers are different. If you’re a new writer, you’re going to do less or more. I actually only did a one time read through–on the computer–of my stories and thought that was good enough when I began. So I’ve come a long way.
I’ve also seen how you can edit by putting on five different kinds of glasses. Something like, first you look at it just for structure, then you look at it for clarity, then grammar, ect. (I don’t remember them all.) That doesn’t work for me. I have to fix everything at once. Also, just because this is how it seems that I work doesn’t mean that’s how I do it for everything I write.
And, like I said, I get bored. But I’ve also heard that when you get bored with a story, that’s generally a sign you’re done with it.
I wrote up a synopsis, took my first forty pages, wrote a cover letter (that sucks, just because I’m a nobody but oh well) and addressed an envelope to myself. All of these things got put into a pretty envelope and is just steps away from being sealed forever. Well, at least until some editor in New York opens it and reads the story I have to offer.
That’s right. I actually am going to send out a manuscript to a real life publisher. This is bigger than submitting a short story. This is huge.
I’m somewhat a combination of this:
and some of this.
But mainly, I’m just a lot of this.
Nor do I even get to find out until this summer, which is probably going to be at best that they want to see my full manuscript, and even then, they probably won’t even take it.
After all, one of my goals this year was to get a rejection letter. Now I’m going to get two. Hopefully, I’ll get more. If I look at them as one step closer to getting actually published, then it’s a good thing. After all, have you ever heard of a published writer who didn’t get a few rejection letters first? (Though, honestly, I’m offering to be the first one there! Not a problem with that.)
Anyway, seeing how it’s currently Sunday night, and I need packing tape to actually seal the package, It won’t get sent out until tomorrow. Until then, I have a chapter thirty-six to plot through and a paper on my math history to write.
I started my spring semester this week. I’ve also wrote this week. That’s a good start.
As I said earlier, I’m working through all of my Avi chapters because my mermaid book has multiple POVs and this is the best way to keep them all straight. So I get to this scene where (Yes, I’m spoiling the story. But this won’t be published for at least two years so I doubt you’ll remember it.) Avi is sworn in as the monarch, much to her dread, she meets this diver we’ve been following named Matthew and he tells her her boyfriend is a spy and her father offers to help her rule. Yeah. A lot happen in this chapter.
It’s also a pretty big chapter for me. Right now about 5,000 words. So I’ve been working on that chapter all week.
And it’s still flopping.
Now, this is the chapter that gave me writer’s block for about two months and I finally just said forget it and moved on. I actually just finished writing it this week. But still!
I don’t know what I’m doing wrong. It might be because i don’t understand Matthew and I don’t understand Avi’s father. For whatever reason, I can’t seem to get inside Avi’s head in this one. No matter how much I try, she is still insist that Matthew has to stay in the prison (she was freeing them in the prelude. Actually, she frees Matthew’s son.) Matthew is coming out as whiner because I can’t get inside the head of a man who is being threatned to being held prisoner under the sea for the rest of his life. And Avi’s father is coming across as a very nobel person, which he might be. I don’t know. I just can’t get in anyone’s head.
On top of it all, my sister is talking. And talking. And talking.
I am on the computer. I am trying to edit this chapter well. And she is wanting me to pay attention to the hat she just knitted for air 1. Sure, I want to be a nice sister, but I also want to write.
I did end up finishing the chapter. I do kinda like how it ended. I’m tempted to go back and see about editing it yet again. (making it time number three) But, part of me is saying that I should wait until Matthew and Ber talk to me more. And Avi too.
Which, this is totally off topic, but talk about character change. Avi started out in my head as an impulsive, reckless, brave girl and she is turning to have a very timid part underneath her thick outer shell. I love it when characters do that, though as I write that, I’m wondering if it reflects what I feel right now. Could characters reflect what is currently going on in our lives?
I bet so.
Anyway, I get to move onto my really bad chapters. I think it might not be all that bad once I fix them up though. (Except for Nessa’s story. She needs a lot of help.) I really need to figure out a more effective way to write but until then, I’m just going to have to go with this. (I keep threatening to share how I write. Maybe I should do that tomorrow.) It just means a LOT of rewriting.