Inside a writer’s brain

Keep in mind with this post, I’m still learning. I think I’ll always be learning. That’s part of being a writer.

SAying that, here’s how I actually go from an idea to a good novel. (I think.)

1. Come up with an idea. The idea comes from anywhere. Someone sitting with their hands covered in blood at night. My teacher saying “Save the Males.” An imagine conversation that I have while sweeping the floor.

Often, these ideas will eventually connect themselves. In September I made a space ship out of a piece of wood and some string. I had a rough idea about some guy who wants to run the mail route. Then a couple months later I had a conversation in my head that eventually developed the idea of Shad as a sweeper. The ideas I enjoy most are the spontaneous  ones.

Sometimes, I need to force it a bit. Such as, why does Sagi hate the Yoni so? That took me a couple days of actual forcing to get, but it worked out.

2. Clarify the idea / write an outline. This section will include anything from writing an outline to learning about the characters. I have papers and papers where I’ll write comments about the characters, the motivations. If I need it, I’ll even write the timeline. This is all the pre-planning phase and this is where, if a story isn’t work out, I should drop it.

This is also my weakest area. I do not do enough planning because I rely too much on the characters eventual talking to me. Because of that, I end up having an extra step that I don’t always need.

3. Pre-draft writing: THis is the part of the writing where I actually begin the write the book. For some stories, I plan them well enough I don’t need to do this. However, this is my chance to take all my ideas and just spit them on the page. I need to do that. Otherwise, I’ll just keep staring at the outline and thinking, ‘This looks good. I’m ready to write.” when in reality I have no clue what their houses even look like. (Very important for science fiction stories, don’t you think?)

While writing this, I’ll put anything on the paper. I even changed my mermaids from fins into feet in the middle of it. Because I knew I would be going back, explaining, expanding and fixing.

Note: I’m sure some writers out there will call that actually my first draft. However, because it’s so bad and so vague, I call it the pre-draft. This is where I’ll drop a story if I need to.

4. 1st draft editing: Now, I go through my pre-draft and fill in everything. The things I learn about the characters are added. I add details of dress and mannerisms. Words become uniform throughout the book. By the time I’m done with this part, I have a first draft and a pretty good idea about where the story is and where it goes.

This is where I am at with my mermaid novel, if you care.

5. 2nd draft editing:  Now I’m ready to actually improve the text. I’ll change things from, “Avi felt angry at Eyal for his betrayal.” To something more along the lines of, “Avi wanted nothing more to do with Eyal after his betrayal.” I remove passive words if I see them and overall just make it an easier read.

6. Paper edit:  Now I actually need to invest money. I print out the novel on paper and begin the long, long process of editing it, then inputting the corrections. This not only lets me see my errors better, but I, for whatever reason, can play around with the words more. It gives me more freedom. Don’t ask me why a computer doesn’t do that; I don’t know. This is a really, really important step. By this time, I’ll probably show it to a few special people.

Right about now is also when I should start working on a synopsis.

7. Second computer edit: Now, I go through the story again, this time highly critically, and fix all of the errors I see. Anything! I remove as many passive verbs as I can. I keep the story tight and interesting. From that, I see what else I need to do and go from there.

By now, I pretty much get bored with my novel for one, and for two, I don’t see much of anything else that needs to be fixed.

Obviously, all writers are different. If you’re a new writer, you’re going to do less or more. I actually only did a one time read through–on the computer–of my stories and thought that was good enough when I began. So I’ve come a long way.

I’ve also seen how you can edit by putting on five different kinds of glasses. Something like, first you look at it just for structure, then you look at it for clarity, then grammar, ect. (I don’t remember them all.) That doesn’t work for me. I have to fix everything at once. Also, just because this is how it seems that I work doesn’t mean that’s how I do it for everything I write.

And, like I said, I get bored. But I’ve also heard that when you get bored with a story, that’s generally a sign you’re done with it.