The Summer of Failing the Writing Goals.
I’m disappointed by this summer.
I had all these goals. I was suppose to make some serious headway into my new novel.
I was suppose to work on writing a synopsis for Shad and hopefully try sending that around.
I was suppose to work on editing some of my smaller works.
And I did absolutely nothing.
This is very sad for me, because it shouldn’t have been that easy. And maybe I did lack some motivation, and some time. But school really wasn’t that hard. So maybe I’m slightly depressed. I don’t know. But whatever the reason, I didn’t get it done.
Now how bad is that?
If I was paying you for everything that I said I would write but didn’t, I’d be broke. (Though that’s not saying much, considering that I’m almost broke as it is.) Maybe I’d need to take out a loan.
I think part of my problems is really that I don’t know what to do. I don’t. I think that I need to write a synopsis for Shad and I just stop and think, “What on Earth am I suppose to do here?” Maybe I should ask the english teacher at my school. I’m slowly getting a clue and thinking maybe just writing an outline, and then adding on, and all that would work but I honestly don’t know.
The other problem is all my creative juices are leaving. That quote I posted earlier this week from Orsan Scott Card is pretty much the exact opposite of my life at the moment. I walk through the whole day and get almost no plots.
Or maybe, I’m just walking through the day and I do get plots, but I’m understand all the more that I don’t know how to expand a plot, or do research, or anything like that, so I discard them, because I don’t want to write a bad story.
Anyway it goes, I didn’t write what I wanted to. And I think I sound some like my friend, who said that she’s going to work like frantic this weekend and try to get to her goal of 10,000 words for the summer, when she’s at just 800.
The sad part is, I’m even less than her. 5000 words is all I’ve written this summer.
So maybe I’ll join her on Sunday, when I can write again.
So long as I wake up.
why to write what I write
An interesting transformation has taken place in my writing over the last three months.
When I first began writing, I wrote for the story. The story line was the key. Hope was about the revolution against the aliens on Earth. Shad was about a guy’s race across the galaxy. (Plot actually ended up being a big surprise for me on that one.) Everything was about the story. What is the story about?
Now, it’s changed or maybe morphed. Yes, I care about the story because the story is the essence of anything worth reading. But I’ve suddenly discovered another side of writing: the side of a message.
I don’t want to be preachy in the least. But sometimes just writing the story doesn’t cut it. During December when I was trying to figure out what to write for the writing contest, I began thinking in terms of the message. What is the purpose for writing this story?
With that in mind, I planned my story, discarding several because there wasn’t a good enough message. I didn’t try to preach it, not in Kontyo at least. But I did become suddenly aware of it.
Then, I wrote Dragon Slayers. Dragon Slayers is a bit more obvious I think, since I wrote it with the sole goal of making fun of people who think that we need to protect endanger species, no matter the cost. (My goal, by the way, is to have that posted by March 20th, and since I’m prewriting this and I don’t know when it’s going to actually be posted, I guess you might know if I made that goal or not.) In my head at least, I was thinking back to when Atlanta had a serious drought but they had to send fresh water to save the oysters or something like that.
Now that I’m writing “Miles’ Love,” I more left the idea of themes for some reason, although I am sure one will show up. Miles has enough secrets to make that easy for me I think, and the girl does too. But I didn’t really think about it when I began writing.
I’m also thinking about what to write next and I’m finding that, once again, I’m looking for messages. It’s like if I don’t have a good enough plot, I need to fill that void with a message and then build the message around the plot. In a soon-to-be written piece, the message is the one about how everyone treats the same person differently, even if that person gives them the same view of themselves. (No name, although the girl’s name is Alisa. I know that much.)
I can’t imagine this change in writing to be negative. After all, it goes back to my rant a while back about my psychology teacher not wanting us to have a thesis statement for our paper, even if the paper is about our life. Everything needs a purpose to be written. Maybe telling a story is one purpose, which was mine for a long time, but the overshadowing theme is what separates today’s books from classics. (That and good writing, tension, characters, plots, and morality but we won’t go there yet.)