I’m actually doing it. (And I’m not sure I like this.)

I wrote up a synopsis, took my first forty pages, wrote a cover letter (that sucks, just because I’m a nobody but oh well) and addressed an envelope to myself. All of these things got put into a pretty envelope and is just steps away from being sealed forever. Well, at least until some editor in New York opens it and reads the story I have to offer.

That’s right. I actually am going to send out a manuscript to a real life publisher. This is bigger than submitting a short story. This is huge.

I’m somewhat a combination of this:

There's no way this will work out.

and some of this.

This might actually be a good thing.

 

But mainly, I’m just a lot of this.

That's my--what?!?! Life's blood! NO WAY SHOULD I BE DOING THIS!

Nor do I even get to find out until this summer, which is probably going to be at best that they want to see my full manuscript, and even then, they probably won’t even take it.

After all, one of my goals this year was to get a rejection letter. Now I’m going to get two. Hopefully, I’ll get more. If I look at them as one step closer to getting actually published, then it’s a good thing. After all, have you ever heard of a published writer who didn’t get a few rejection letters first? (Though, honestly, I’m offering to be the first one there! Not a problem with that.)

Anyway, seeing how it’s currently Sunday night, and I need packing tape to actually seal the package, It won’t get sent out until tomorrow. Until then, I have a chapter thirty-six to plot through and a paper on my math history to write.

Second books: the writer’s perspective

I’ve always thought second books are weak. They never carry the momentum of the book as well as the first or third book in a trilogy. As such, I found this article about writing a sequel very interesting. My favorite line is:

Although I didn’t technically write an entirely new book like Bacigalupi did, I was still making major plot changes in my eighth draft, and my final novel bears very little resemblance to my original story. In fact, my earliest draft was such a mess that it frightened my editor, Nancy Mercado. Wisely, she didn’t tell me so at the time. She merely said in her kind way, “You might want to take a closer look at the first one hundred pages. And the last one hundred pages.”