The benefits of creating my own world. :D

Yes. I did just use a smilie face in my title. Because I’m happy with myself.

Here’s some background: Sagi, a character in my mermaid novel, has some serious relationship issues involving some serious wife betrayal. He’s been angry at her and kept that anger for much of the past twenty-some years since her death. He’s done is best to avoid any relationship in that time, focusing instead on getting himself into a position that will permit him to be elected when the time comes.

Here was my problem: Within the matter of about a month and a half I think, he meets Chava, begins to have a serious relationship with her, and proposes. For someone who wanted nothing to do with marriage or a family or relationships at all, that seemed really fast. (Okay, maybe I really shouldn’t be writing about any complicated relationships since I haven’t ever HAD one period, but oh well. They demanded it and who I am but the writer to argue with my characters? )

No matter how I looked at it, that seemed FAST for Sagi to move.

Then I came up with a brilliant solution. What if the mermaids don’t really date? They meet someone, go out a couple times to see how things are. Probably at this point in time, there are some good personality tests they take to see if they would be compatible (that’d be basically what people would call “the next step”) and if so far there hasn’t been any major problems, they are engaged.

I don’t know if an engagement would be long, like the idea that we are still learning, or short, since most non-religions people seem to be under the opinion that you should live together for a while to fully get to know the person before marriage.

I also would need to create into this society the fact that divorce is frowned upon. (Society drives a lot of what people do after all.) Possibly even highly taxed.

However, if I have it set up so that Sagi’s relationship with Chava before she even mentions that maybe they should take a test has been going on for a long time, then that would explain more with Sagi. (It also would explain why he married his first wife even better.)

Overall, I am very pleased with this plan. Obviously, it needs some ironing out, but not only does it solve some minor plot issues I’ve been having, but it creates the mermaid world as a world separate from the human world, which I like.

Now I just have to write today. Haven’t for two days now. :(

EDIT: This also fixes my problem of why it is culturally acceptable to have a wedding within a week, though the forcing part is still a bit vague. I must work on that. (It’s a political marriage, if that makes any difference.) Oh, and I did write today.

Have any of you ever changed a part of your society to make your plot work better? Did it work for you? 

background characters–parents

The common characters that one thinks about when beginning to write are easy. We have friends and siblings and strangers and work partners. However, one character that I suspect to frequently be overlooked are parents. The question is why.

I doubt it’s based on how much your parents play a role in your life, because I have a really good relationship with my mom (not wonderful with my dad)  and I hardly mention moms. In one story I was going to write, (changed my mind) it was actually the dad who she had just lost within the last six months, the mom having been dead for ten years or so.

I actually realized that none of my stories ever have major parent characters involved. in Hope (which I haven’t talked about a lot but that’s my first novel.) her mom died before the story began. In Shad, he was an orphan with unknown parents. (Father figure, yes, but no actual parents). In Kontyo, his father was never actually seen, only mentioned. In Dragon Slayers, parents are dead. In Giant’s Wife, his parents are dead and hers she has seen for three years.

So, apparently, I jut decide to kill characters parents just because.

I actually think it’s because they either aren’t an important part to the story or their death actually moves the story along. In the story that I mentioned earlier, her dad was suspected to be killed by a drunk driver but was actually assassinated. (Really important when she starts working for the guy who had him killed.) In Hope, her mom’s death was actually her fault, which she finds out later. In Giant’s Wife, his family being dead is what caused him the join the army. (Although I did give him a sister.)

Which brings me to the next point. WHy is it that siblings are okay but parents aren’t? With the exception of Shad who we really don’t know where he came from, every single one of my characters had a close relationship with a sibling. Hope always wanted to see her brother Dave again. Kontyo worked closely with Felix. Heddwyn is close with Eva and tells her some things. Dragon Slayers, Colton is practically raising Natlie.

Now this isn’t that surprising.  I get along with most my siblings very well (when they aren’t being thickheaded and spockish). I think that brother/sister relationships can be some of the best in the world.

But why siblings and not parents? What makes parents so invisible? Is it just that I don’t know how to write forty and fifty year olds so I avoid it? But I do, because all I would need to do is write something like how my mom and I interact. Yes, people might not fully believe it, since we act like friends oftentimes, but that is still might be better than nothing.

I do not have an answer to this. I’m also thinking that I haven’t read too many books where the parents play a major role either, which makes me wonder about that as well. Anyone else notice such a problem?