When I was a teenager, I remember clearly looking at the adult section of the library and imagining all of the wonderful books that must be hidden there. They had to be good–right? And long. And wonderful. I couldn’t wait until I was old enough to go there.
Then I became old enough and I discovered that many of the books were too long, especially as I got older, and much duller than I thought. (They also have tiny font which, when you have difficulty seeing, is important.) About a year ago, I began reading YA again and don’t regret it.
In the same way, when I began writing, my goal was adult science fiction. Teens were silly and flakey and (well, honestly) they didn’t seem to be much science fiction going around when I was a teenager. So therefore, I had to write for an adult audience.
Now, I acknowledge that I do not have that much experience with novels. I’ve barely written two. I have submitted (and received a rejection) on one of them. But I typically try to have my stories end pretty happily. I do not like depressing endings. And yes, I’ll kill characters, but only if I must.
Which brings me back to my question: What do I wrote?
I’ve always thought I write adult fiction. However, especially with some of the things I’ve seen in teen fiction right now, I can just as easily, if not more, be writing for a YA audience. I try to keep stories concise, clear, and focused, with enough action to make it interesting. I’d be fine with that too if not for one little detail.
I don’t know about you, but half of the things that I seen going on in YA stories is too big for a teenager to handle. Let’s take Across the Universe for an example. (tiny SPOILER, as in, you know it’ll happen but I don’t want you to hate me) In the story, the seventeen year-old kid becomes the leader of a ship full of about 3000 people. He is responsible for everything, from strikes to food shortages. Not to insult any seventeen-year-olds that might be reading this but kids that age can’t handle that.
Shad would fit into a YA category, except for the simple fact of his age. He’s 23. Everything else is really great. He has big dreams, thinks he can conquer the world, finds out that he can’t, but that the world he wanted to conquer isn’t what he thought. But, emotionally, I can’t drop his page to below 20. Maybe 21. I can maybe justify that somehow. But I can’t make him a teenager…
Well, why? Because a teenager shouldn’t have the responsibility of flying the whole ship. Yet, I have it written that he was main pilot since he was 17. I don’t know if I can actually see him sitting around six years waiting.
That’s just one story though. I don’t know how to justify it in every story. That’s my single biggest argument with YA fiction in fact is that teenagers do things that they shouldn’t. But perhaps that’s the point of YA fiction. I still find it hard to justify. Though, going through my stories… can I create my own genre? :D Modified YA. Or college level YA? Some work; some don’t. Some would need changes. I mean, how far can you go in YA?
So then my question becomes: am I changing my audience because I had the wrong audience and I should or because it is easier? That’s one think I keep thinking about right now. If I change this, well, then that deals with this problem and makes this problem easier in my mermaid story. I should not write something though just because it’s easier. Not a whole genre change.
Then, I also go back to the idea about whether or not I should even care about publication. I have one brother who would say that self-publication in ebooks is the way to go, all the way. But I don’t know. I’m not good at self-promotion. But if I want to create a new genre, that would be the way I’d have to go I think. :)
In many ways it shouldn’t even matter. I should write for pleasure and not money. But when I want to be published… it is important. It is a factor of where I send the story after all. :)
I’ll admit, this is a tad scary. And I wonder, if it is detecting stress, can it tell the difference between the kind of stress that a would-be bomber has and a guy who just lost his job, his child is in the hospital and might die and he knows that this plane trip is going to drain the rest of his savings?
I know; that isn’t a good thing to say as a writer. But with college and my own writing, my fear of not having a good book, and the sad lack of books we have available at the library in South Dakota, I haven’t picked up one in possibly a year.
Wow! I forgot how good it is to just read a good book.
I read Imager, by Modesitt. It sounded pretty good, so I asked to borrow it from a friend. I didn’t start it for almost a week. Once I did though, and I actually got passed page 60, I started finding it incredibly interesting. I almost literally couldn’t put it down and would bribe myself to clean a section of the house, read a chapter, clean, read, clean, read. (I had to clean; I wanted to read.)
Now, don’t mistake this for a review of the book. I actually think it was a little slow and a little confusing, and I wished I had a map. But I’m more focusing on the fact that I read a book and leave my reviews for amazon.
I actually did it based on someone’s advice. I didn’t want to write and all I could think about was reading. I just wanted to be swept away into a story.
And suddenly, I want to write again. It’s like after seeing a beautiful world created and put to right, with fun characters, plots and intrigue, I wanted to put that kind of magic on paper. For really, in many ways, it is magic. Think about it in that we as writers get to sweep someone up in a world of our own creating, and hide them in it for a while.
I’m now ready to write again. In fact, since Saturday night, I wrote 5000 words, which tallies out to about three or four chapters. Yes, I’m writing small chapters. I like doing it better that way.
So now I’m looking for more books to read, and I want to soon modify this website and include a page on my recommended books in sci-fi and fantasy. I don’t have a lot right now, but hopefully they’ll grow.
Besides questioning the “what if” of our world today, science fiction apparently has a lot of other things to offer.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
But it’s not all hopeless.
Science fiction writers foresee the inevitable, and although problems and catastrophes may be inevitable, solutions are not.
Do you make helps for your stories? (i.e., portraits of characters, maps, glossaries, character indexes, family trees, &c.)